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Sevierresumeweb0613Email: email@example.com Web: www.susansevier.com Representative Opera Performances: The Crone Duchess of Plaza Gondoliers (Gilbert/Sullivan) Bourgas Philharmonic and Opera Society, Bulgaria Bourgas Philharmonic and Opera Society, Bulgaria Bourgas Philharmonic and Opera Society, Bulgaria Ashlawn Opera Festival, Charlottesville, VA Ashlawn Opera Festival, Charlottesville, VA Peabody Symphony, with James Morris, Meyerhoff Shaker Mountain Music Festival, with the Albany Shaker Mountain Music Festival, with the Albany Shaker Mountain Music Festival, with the Albany Peabody Opera Roundabout, traveling production, Opera Camerata of Washington, Lincoln Theatre, Opera Camerata of Washington, Rockville, MD Conductors: Micaele Sparacino, Stefano Vignati, Gerald Mueller, Elena Pirini, Lucia Zicos, Douglas Martin, Michael Slon, Cheryl Branham, Harlan Parker, Steven Jarvi, Denys Striny, H. Teri Murai, Roger Malouf, JoAnn Kulesza, Carolina Caspari, Caspar Dachmann, Boris Spassov, Valeri Vatchev, Darryl Winston, Erin Freeman Coaches: Sean Kelley, Maurizio Magnini (Arena di Verona), Sharon Christman, Steven Carey, Sean Kelly, JoAnn Kulesza, Dimiter Fournadgiev, Eileen Cornett, Roger Brunyate, Robert Muckenfuss, Ernest Ligon, Regina Resnick, Micaele Sparacino, Marianna Busching, John Shirley-Quirk, Benjamin Loeb, Douglas Martin, Michael Cordovana, Carol Yahr, Bruce Brewer (Master Class), Kathy Kelly (Masterclass), Licia Albanese (Masterclass), Vera Danchenko, Michael Patterson Stage Directors: Michael Leinert, Mark Adamo, Roger Brunyate, Kate Caplin, Nick Olcott, John Lehmeyer, Darryl Winston, Jennifer Blades, Antoni Sadlak-Jaworski, Scott Upright, Simione Simeon, Lena Wertmuller Email: firstname.lastname@example.org Web: www.susansevier.com Awards: Ashlawn Opera Festival Apprentice Artists Program (2003), Peabody Opera Department Fellowship (2002-2004), Peabody Career Development Grant (2004 and 2002), Opera Camerata Young Artist of the Year (2000) Education: BA, MA, University of Missouri – Kansas City; Graduate Performance Diploma, Peabody Conservatory of the Johns Hopkins University, Baltimore, MD; DMA – Catholic University of America (In progress), in the studio of Sharon Christman Representative Concert Performances: Concert For the Save Venice Foundation; details TBD Music of Elgar and Lehmann, Serate Musicale, DC Calvary Presents Recital Series, Washington, DC Calvary Presents Recital Services, Washington, DC St. Paul’s Episcopal Church, Baltimore, MD Ashlawn Opera Festival, Charlottesville, VA Ashlawn Opera Festival, Charlottesville, VA Ashlawn Opera Festival, Charlottesville, VA Governors School, University of Richmond, presented by Opera Camerata of Washington, Masters of the Bel Canto New Connections Concert Series, Church of the Opera Camerata of Washington, Masters of the Bel Canto Press Clippings: “Needless to say, the star of the show…was contralto Susan Sevier as the Witch Rosina Daintymouth (Humperdinck’s Hansel & Gretel). Her snarling and highly colored voice was simply perfect for this role. … The insidious cackle she produced even scared me!” ConcertoNet.com, January 21, 2008 Joseph McLellan wrote in the Washington Post of the Opera Bel Canto’s recent performance of Rossini’s Petit Messe Solennelle: "…the 'Agnus Dei,' powerfully performed by the ensemble, with an eloquent solo by contralto Susan Sevier.” Washington Post, Friday, March 26, 2004 “Stadler plays him with the requisite sleaziness, and with his wife (Susan Sevier, in an excellent performance) make up an imposing, scheming couple attempting to arrest their daughter’s intended.” Baltimore City Paper, March 31, 2004, of the Theatre Project performances of the Brecht/Weill Threepenny Opera
JUDICIAL DIALOGUE ON THE NEW YORK CONVENTION New Delhi THE CASUARINA HALL at THE INDIA HABITAT CENTRE Mr Shishir Dholakia - Chief Rapporteur Mr Harisankar K S - Co-Rapporteur Introduction This report summarises the proceedings and key conclusions of the ‘Judicial Dialogue on the New York Convention’ that took place in New Delhi on Saturday, 23rd November 2013. The